Credits

Awards

  • Digital memory and the sonic architecture of Mercury. Arts Council England Funding (2017-2018)
  • Doctoral Research Scholarship. Arts and Humanities Research Council (AHRC) (2015-2018)
  • New Art West Midlands. First Prize (2016)
  • The Imitation Archive. Arts Council England Funding (2015)
  • Aesthetica Art Prize. Shortlisted (2015)
  • Without Words Film Festival, Marseille, FR. Grand Prize (2015)
  • Deutsche Bank Creative Prize for Music (2014)
  • Ideas Tap, Five Elements – Digital. First Prize (2014)
  • The Birmingham Conservatoire Postgraduate Prize (2014)

Residencies

  • The British School at Rome, Mead Scholarship, Rome, IT (2017)
  • AER: International Artist Residency Programme. Joya: arte + ecología, Almeria, ES (2016)
  • The National Museum of Computing, Bletchley Park, UK (2015)

Education

  • PhD in Sonic Arts – CRiSAP, London College of Communication, UAL (2015-current)
  • MMus Music Technology (Distinction), Birmingham Conservatoire (2014)
  • BA (Hons) Philosophy with Psychology, University of Leeds (2006)

Exhibitions

  • Net Sounds, Biennale Musiques en Scène, Les Subsistances/GRAME, Lyon, FR (2018)
  • Five Years On, Birmingham Museum and Art Gallery, Birmingham, UK (2018)
  • Art for the Environment, Nunnery Gallery, London, UK (2018)
  • Trajectories, Watermans, London, UK (2018)
  • Future Proof, The LAB, Dublin, IE (2017)
  • Connecting Columns, Srishti Outpost, Kochi Muziris Biennale, Kochi, IN (2017)
  • Fields of Athenry, Brighton Digital Festival, Brighton, UK (2016)
  • Acts of Searching Closely, ASC Gallery, London, UK (2016)
  • Strongrooms, Warwickshire County Council Touring Project, UK (2016)
  • New Art West Midlands, Birmingham Museum and Art Gallery, UK (2016)
  • New Art West Midlands, Midlands Art Centre (mac) (2016), UK
  • New Art West Midlands, Wolverhampton Art Gallery (2016), UK
  • New Art West Midlands, Herbert Gallery, Coventry (2016), UK
  • The Cloud is More Than Air and Water, Queen Street Studios, Belfast, UK (2015)
  • Aesthetica Art Prize Show, York St. Mary’s, York, UK (2015)
  • (((echo))), Stryx Gallery, Birmingham, UK (2014)
  • The Cloud is More Than Air and Water, Birmingham Conservatoire, Birmingham, UK (2014)

Performances and Screenings

  • CRiSAP Official Playlist, Helicotrema 6,  Blauer Hase, Venice, IT (2017)
  • No Maps for These Territories, Jerwood Staging Series, Jerwood Space, London, UK (2016)
  • Mechanical Calculators, Photomediations Machine, Online (2016)
  • Zealous X, Rich Mix, London, UK (2016)
  • Without Words Film Festival, Marseille, FR (2015)
  • The Imitation Archive, Soundproof, ABC Radio National, Australia (2015)
  • European Media Art Festival (EMAF), Osnabrück, DE (2015)
  • Reflections on Collection, Sainsbury Centre for Visual Arts, Norwich, UK (2015)
  • #howtodisappear, Melbourne Fringe Festival ’14, Melbourne, AU (2014)
  • SOUNDKitchen, Vivid Projects, Birmingham, UK (2014)
  • Turbulence in the Chamber, Trispace Gallery, London, UK (2014)
  • Iridaceae, Liz Johnson and the Fitzwilliam Quartet, King’s Place, London, UK (2014)
  • The Frontiers Festival, Birmingham, UK (2014)
  • Midnight DavisSession Bass Player (Five Easy Pieces Records, 2013)
  • In a Dim Light, Nedry. Album. (Monotreme Records, 2012)
  • Condors, Nedry. Album. (Monotreme Records, 2010)
  • Oko-oo-ho, Oko-oo-ho. DVD (No Sleep Production, 2008)
  • Method of Loci, Unspeakable Easels (Broken Branch Records, 2007)
  • Air Wonder Stories, Unspeakable Easels (Unlabel, 2006)

Speaking, Training, Publications, Conferences

  • Large Objects Moving Air, Co-Director of one day international conference. London College of Communication, UK (2018)
  • Data Centers: Investigating Socio-Technological Assemblages of the Cloud. Stockholm University, SE (2017)
  • ‘Socially Engaged Artists’ and the Residency Model. Guest Lecture. National Trust Croome and New Art West Midlands (2017).
  • MA Sound Arts. Associate Lecturer. London College of Communication, UAL (2017)
  • Sound and the Environment. University of Hull, Hull, UK (2017)
  • The Sound Of Memory: Sound-track / Sound-scape. Whitechapel Gallery, London, UK (2017)
  • Listening to the Internet. Guest Lecture for MA in Art and Research Collaboration, IADT Dun Laoghaire, Dublin, IE (2017)
  • Open Fields. Vibrating the Web. RIXC Conference, Riga, LV (2016)
  • Points of Listening. Listening to the Internet. Guest Lecture. London College of Communication, UAL (2016)
  • Visiting Practitioner Guest Lecture. London College of Communication, UAL (2016)
  • The Imitation Archive: Recording the Sounds of the World’s First Computers, Article in An Antidote to Indifference: A tributary of Caught by the River, Issue 13, Edited by Cheryl Tipp (Autumn 2015)
  • Sound Passages: passaggi di suono. Università Iuav di Venezia (IUAV), Venice, IT (2015)
  • NPR Interview, The Imitation Archive, Weekend Edition with Simon Scott (2015)
  • Introduction to Field Recording, Keele University, Keele, UK (2015)
  • BBC Click Interview, The Imitation Archive, BBC World Service (2015)
  • Producing the Imitation Archive, Part I and Part II, British Library Sound and Vision Archive (2015)
  • Walking Studies Symposium, The People’s Cloud, Keele University, Keele, UK (2015)
  • Easter Bytes sponsored by Bloomberg, The Imitation Archive, Bletchley Park (2015)
  • Tech Review Interview, The Imitation Archive, NPR Radio USA (2015)
  • BBC Click Interview (with Vint Cerf), The Imitation Archive, BBC World Service (2015)
  • Outside The Bedroom, Performing live electronic music training, Modular Music School Manchester (2014)
  • Outside The Bedroom, Performing live electronic music training, Modular Music School Manchester (2014)
  • Music Technology for Assistive Technology Learning Training, Soundbeam Training, 3DOM/Birmingham City University (2014)

Field Recordist, Sound Design, Post Production

  • Sound Design. Salt Road. Film. Dir. Bella Riza (2017)
  • Sound Design. The Dead Man In The Sea at Urca. Film. Dir. Abigail Butler (2017)
  • Field Recording and Sound Design. White Mountain, Emma Charles (For Reset: Modernity exhibition at ZKM Gallery, DE. Curated by Bruno Latour, (2016)
  • Sound Design. Storybox: Broadcast, Information Age permanent exhibition at Science Museum, London (Mesmer, 2014)
  • Composition and Sound Design. We Can See it From Here. Oval House Theatre, London, UK (Another Place Theatre Co, 2014)